2015 NBA Finals Cavaliers vs. Warriors Center PK: Bogut touches Mozgov

2015 NBA Finals Cavaliers vs. Warriors Center PK: Bogut touches Mozgov
On June 3, Beijing time, the 2014-15 NBA Finals was on the verge. The regular season champion Golden State Warriors will meet the Cleveland Cavaliers led by the league’s first person.In the starting level of the two teams, each has a solid seven-foot long man. Although for different reasons, the playing time of the two people is limited, but even so, the duel between them is still full of vitality.point.Although they haven’t played much time, both are the last line of defense in their respective teams. Andrew Bogut is 30 years old and 2 years old.13 meters weight 118 kg this season salary of 12.97 million US dollars playoff data: average 5 per game.3 points 8.6 rebounds, 2 assists, 1.Nine blocked shots hit 57.6% victory contribution value 1.2 If it wasn’t for injury, the Warriors’ second-best player might not be able to compete with Klay Thompson or Draymond Green.As the top pick in the 2005 draft, Bogut had comprehensive personal skills, excellent defensive ability, and quite physical conditions before facing a series of serious injuries.He can sit in the penalty area and eat his opponents alone, and he can also pull outside shots. What is more commendable is that his hand organization and effort, even many defenders are ashamed.  However, if the word does not make any sense, the fact is: after undergoing a series of injuries such as footsteps, alignment, nose bones, waist, wrists, elbows, fingers, etc., today’s Bogut has not been replaced.The next Duncan genius center, and the Warriors were out of the first round of last season with the Clippers fierce seven regrets, which also has an untimely injury and an indispensable relationship with Bogut.  This season, the Warriors have been reborn, most people attribute it to the coaching of Steve Kerr, the MVP representative of the star Stephen Curry, and the rapid progress of Draymond Green.However, without Bogut sitting in the military account, it is difficult to imagine that only Green can build the strongest defense line in the league.In the playoffs, the Warriors met Anthony Davis, Marc Gasol and Dwight Howard. If there is no Bogut, you can let the Splash Brothers be allowed again.It is difficult to get through easily.  Today’s Bogut, explosive power and foot movement speed has been much worse than before, which directly led to him often easily fouled, averaging 24 in the playoffs.3 in 4 minutes of playing time.9 fouls have affected the continuity of the game to a certain extent.However, even if there are no foul rules, the current Bogut will not stay on the court too continuously. First of all, because of his physical and age relationship, his physical condition is not enough to support a 35-minute high-intensity game. In addition, the so-called thin water flows, savingUsage also helps to ensure that he stays healthy on the field and plays a key role at critical moments.  For the Cavaliers series, if the Warriors striker group can properly slow down LeBron James, Bogut’s shoulders will be much easier than the previous three rounds.The Cavaliers’ inserting players, whether they are Mozgov or Thompson, are all types of defending strong and weak, and the range of activities is limited. To deal with such opponents, Bogut is enough based on his skills and experience.  Of course, in case Green, Iguodala and others’ outer defenses were broken by LeBron, then Bogut will also be the last gate to guard the Warriors’ camp.In the past two years, the Pacers have made James and his heat very uncomfortable because of the presence of Roy Hibbert.If Bogut can control the foul well, staying physically strong, maybe it will become an important person at the critical moment to decide the final outcome.Timofey Mozgov is 28 years old and is 2.16 meters weight 113 kilograms this season salary 4.65 million US dollars playoff data: average 9 per game.1 point 7.2 rebounds 1.Nine blocked shots made 47.5% victory contribution value 1.1Last summer, LeBron announced that he would go home. Kevin Love was transferred to Keke City through a transaction. Famous veterans such as Mike Miller and Sean Marion also joined.At that time, the knight was quite ready and only owed Dongfeng’s posture.At the time, Anderson Valejo was not injured. The question of how he and Rolf and Thompson deployed the rotation was still unknown.But even with three insiders at the same time, public opinion at the time also agreed that the Cavaliers are a true guardian of the basket.  Loew, Thompson is short, and Valejo is mainly known for his mobility. The three players have amazing rebounding skills, but they can change the inside defense and block opponents’ shots, but they are not their characteristics.So from the beginning of the season, Cavaliers general manager David Griffin has been looking for a defensive fighter with height and size who can stand up to the basket.Then Valecho’s injury was just a trap for Griffin to make a decision and speed up his work.  It seems a bit exaggerated to say that Mozgov is the Cavaliers, but his joining has indeed become a critical moment for the team’s distorted decline.When the Russians were just traded, the Cavaliers were in a state of trough, and the record fell to 19 wins and 20 losses.However, after a short run-in after the trade and the return of LeBron’s injury, this team quickly found a way to win, and sang all the way to become the strongest team in the second half of the league.  Because of his physical superiority, Mozgov became the Cavaliers’ most reliable guardian of the penalty area, but also because of his height, limiting his playing time.Absolutely, the best way to form a team around LeBron is to clear the breakthrough space for this. Others are scattered outside the three-point line and are ready to take shots at any time.Although Mozgov is good, he will definitely divide the restricted area, so whenever the game enters the decisive moment, the Cavaliers often withdraw their power center to play a small gap.This is why the Russians reach 12 in every 36 minutes in the playoffs.8 points 10.1 rebound 2.Blocked 7 times, but played only 25 minutes.6 minutes.  Compared with Bogut, Mozgov has considerable advantages in height, age, physical fitness, etc., but in terms of personal ability, experience and awareness of the game, there is still a big difference from the other party.In the limited playing time, in the case where the power confrontation does not take advantage of it, even if he makes a mess, it is estimated that it is difficult to beat the teacher who is used to the wind and waves.Of course, considering that Bogut rarely takes the initiative to attack now, Mozgov will not suffer much.Conclusion As the person closest to the basketball hoop on the court, center match should have been the focus of the playoffs.However, in the context of the NBA’s continuous acceleration and highlighting the fast quasi-spirit, their tactics are somewhat marginalized.Below, Bogut will have more use because of his more comprehensive skills. After all, a majestic body who can also play the role of axis response after covering the ball is far more than just standing and defending the ball.The dunk inside can enrich the team’s tactical routines.(panda)

Why is Kapoor just red?

Why is Kapoor just “red”?
Works “Symphony dedicated to the dear sun” “My Red Hometown” “Narrow Board” (left) at the exhibition site of Taimiao Art Museum, “Void” (right) “Will become a cross-section of a unique single-celled individual””Your Travel” was prepared in Beijing, China’s first gallery-level solo pavilion, divided into two pavilions, Central America and Taimiao. It was the masterpiece of his 35-year creative career. Most of the works are colored by red artist Anisch· Anish Kapoor’s first art gallery-level solo exhibition in China was officially unveiled at the Central Academy of Fine Arts. This month, the Tai Temple also opened a series of Kapoor’s series of stainless steel and pigment sculptures. By inverting and mapping the surrounding environment, KapoorHis unique artistic techniques will continue to stimulate the senses of the Chinese audience.  Walking into the lobby of the Art Museum of the Central Academy of Fine Arts, what stood before people’s eyes was a large-scale work.Red wax bricks dropped dramatically from the end of several rising conveyor belts into a piece of polymer of the same material.Above the conveyor belt, a huge red sun floated over the mechanized, unmanned scene.As the wax block slowly rose and fell rapidly, a sea of visually impactful red pigment accumulated on the ground, and the audience took out their mobile phones to record the moment when the wax block fell . This shockingThe installation is called “Symphony dedicated to the dear sun”, which is one of the four large-scale works arranged by Anisch Kapoor at the Central Academy of Fine Arts Museum.Along with these four works came to Central America, as well as models of important public project works in his artistic practice over the past few decades, including “Cloud Gate”, “Track”, “South Bank Center” and so on.It can be said that this exhibition presents the artist’s artistic creation spanning over 35 years and is an important review of Anisch Kapoor’s artistic history.  Author / Jia Qingfan The images in this edition are provided by the organizer A. A mix of Chinese and Western artistic ideas Anish Kapoor was born in Mumbai, India in 1954. His father is Indian and his mother is Jewish.Kapoor grew up in a Christian family in India. After studying electrical engineering in Israel, he came to London in the early 1970s to study art and became a Buddhist.The curator of this exhibition, Zhang Zikang, director of the Central American Art Museum, said at the opening ceremony that it is precisely because of such a complex cultural growth background, “In Kapoor ‘s works, ancient Greek mythology, Christianity, Judaism and Buddhism, Hinduism allusionsAll have their explanations.And Kapoor himself often participates: “I am just an artist working in the UK!”In his view, different cultural forms all contain the same truth. Multiculturalism is also the source and foundation of Kappel ‘s keen perception. In his works, we can see the fusion of Western thinking and Eastern philosophy.  Anisch Kapoor’s creations are often metaphysical, and his reflections on the binary opposition between matter and immaterial, existence and extinction, tangibility and intangibility, consciousness and unconsciousness are reflected in his works.In particular, Indian philosophy and religion are the source of inspiration for Kapoor. He said: “As an artist, I want to make every piece of my work not only an object, but also a carrier of philosophy. Many works are the embodiment of my oriental thought.”Eastern thoughts that have been conceived since childhood, combined with the expression of ideas and forms in the Western art world, these two together created the special charm of this” mixed “artist.  B. Excellent use of space and materials. Kapoor is a master of materials. In his creative career, paint, stainless steel, mined raw stones, etc. are all unique art works in his hands.The exquisite grasp of space is another characteristic of Kapoor ‘s artistic creation. He often uses the properties of various materials to interlace between natural landscapes and works of art, or to eliminate the boundaries between each other, letThe audience can get a new feeling when watching.His masterpieces “Cloud Gate” and “Sky Mirror” are positive. The artist uses the reflection of stainless steel to make the audience have an illusion in the illusion. Standing in front of such works, the fantasy of the inner world seems to be mapped; andIf the audience chooses to give up fantasies, the polished stainless steel face becomes an ordinary reflective surface, and this contrast also guides people to reflect on the authenticity of the landscape society.  In another of Kapoor’s representative work “Sinking”, the turning black vortex seems to draw the audience into the unknown abyss. Is this abyss the other end of the earth?Or is it an illusion deep inside?Every audience will have their own feelings when gazing into and being stared at by the abyss.As Kapoor said, “a real object can often lead to an intangible feeling”, his work of art seems to be a gap in the real world, through which people can see various possibilities.Kapoor uses materials, light and dark convexities in the space and other characteristics to guide the audience to engage in a spiritual dialogue with the artwork itself.  This time, Chinese audiences can see Kapoor’s stainless steel and paint sculptures in Taimiao.”S Curve” is an “S” shaped sculpture formed by the seamless connection of two large pieces of stainless steel, while “C Curve” is a huge piece of curved stainless steel.The convex and concave surfaces on both sides of the two pieces of art reflect the surrounding scene directly and backward.Surrounding these works is another group of Kapoor’s important stainless steel sculptures.These works all present upside-down images, blending the audience into the surrounding buildings and environment, challenging the viewer’s perception experience.  The use of C red pigment is expected to use high-purity colors to increase the visual impact of the work, which is another great magic weapon for Anisch Kapoor’s artistic creation.Among many colors, his favorite is red. Kapoor once said, “Red has some implicit and active sexual characteristics, which fascinates me. I always want to create works with red.”In addition to” Symphony dedicated to the dear sun “, the other three large-scale works in this exhibition of the Central American Art Museum are all based on the theme of” red “.  On the third floor of the museum, we can see huge red cubes. Although they seem to be regular in appearance, they are actually scattered with curved surfaces of different shapes. This work is called “A Cross-Sectional Body That Will Be a Unique Single Cell.”It explores the relationship between interior and exterior, body and space, and presents a fascinating biological form design to the audience.When the audience walks into the hidden door, they enter the mysterious cell body, and they can see that the bright red and bright holes are mysteriously connected and intertwined, generating a metaphor about the body, existence and faith.When the audience walks into the work and becomes a part of it, different moods and feelings are transformed into the present, and this mysterious cell structure will also be given different meanings.  In addition, the artist’s “Travel” at the location of the Argentina Memorial Park in 2017 also came to the Central American Art Museum. This is an industrial landscape work. We can see that the excavator painted in high purity blue is stoppedOn a few hundred tons of red toner, the two colors are in sharp contrast, which strongly stimulates the viewer’s eye, and the red layers over the mountains and the mountains give a very warm and spectacular feeling, which makes the audience can not help but praise this magnificentVisual effect.  The large-scale work on the fourth floor of the museum is another large automatic device “My Red Hometown” by Kapoor. In this work, the machine drives the metal arm to insert into the surface of an open container of 25 tons of red soft wax.During an hour of rotation, the waxy surface around the metal arm moves slowly, as if stirring, constantly shaping the shape of the wax and repeatedly forming a unique landscape.Although the volume of this work is not as huge as the first three, the visual impact it brings is not inferior. When the audience faces it, it will be involuntarily attracted to it. All materials and forms are no longer important.With the audience’s meditation and meditation and the imperceptible metal arm moving, time seems to be still at this moment.  How can we “understand” Anisch Kapoor?This seems to be the first question that every audience walking in the progress hall thinks about when they face the work of this “red” artist.On this point, perhaps Anisch Kapoor has already expressed the answer-“As an artist, I really have nothing to express.”But, I want to invite people to pursue.”This season, we are all the objects he invites. Everyone has the opportunity to swim and talk in his art, to discover, to feel, to explore, to become part of the imaginary world of Kapoor.